“Speak[ing] your truth” has become an incessantly annoying phrase in recent years. Once the mantra of the truly oppressed, used for good cause in shedding light on issues like sexism and racism, it’s become a cliche adopted by anyone and everyone. You see it in magazine articles, on inane Instagram posts, in every Oprah interview, and even in ad campaigns. And for what purpose, I wonder, besides some vague reach for headline fodder?
In full disclosure, I’ll admit that I am a curmudgeon and contrarian. So in the interest of attaining some balance, I decided to give “speak your truth” a fair shot by reminding myself of its origins and use. In essence, it’s a reiteration of sharing one’s story or providing a different perspective. With the #metoo movement, it became a calling card for accounts of abused women who were never afforded a platform to share their version of events. Similarly, across history, it rallied strength by numbers for groups of oppressed minorities, whose history was erased; a new edition of “the truth” for many, educated by a whitewashed system.
The truth is different from your or my truth however. It may sound petty to distinguish these, in light of what’s been stated above but here’s the thing: who’s to validate the actual truth when so many sides can claim legitimacy via emotional goodwill? It’s not just the oppressed that use this phrase. It’s dragged out for pasture by the flat-earthers, the anti-vaxxers, Holocaust deniers, and Trump supporters of this world too. And with so much “truth” going on, it gets pretty foggy out there.
The Atlantic highlighted this well in early 2018, speaking about Oprah’s Cecile B. De Mille Award speech at the Golden Globes. A strong proponent of all things spiritual and motivational, she urged people to (you guessed it) “speak [their] truth” leading to calls (among idiots) for her to run for president. To be fair, given the actual good she’s done with her show and her background, there’s some weight to her pronouncement against others except that she’s also helped dilute the power of this message by praising the likes of Jenny McCarthy for her bravery when speaking out against vaccinations (in 2007). This is not meant to fan the flames of a vaccination debate but to simply point out that opposing sides (as we’d imagine them) each believe they’re speaking truth to power.
In a “post-truth world” of “alternative facts” and headline readers, speaking one’s truth isn’t entirely a noble endeavour. I’d even go so far as to say that it emboldens political opposites by adding an extra layer of sanctimonious narcissism to their bubbles. On top of that too, it’s been capitalised on by celebrities for surpassing a certain number of followers (The Rock) and by clothing brands like Calvin Klein who featured a roster of celebrities in their “I speak my truth” campaign. (Kendall Jenner was one of them.)
The use of language changes throughout history and most people will dabble in hyperbole from time to time but with important concepts like truth and lies, one should take the time to consider their value. After all, a large percentage of Americans still believe the election was stolen from Trump despite clear evidence to the contrary. Their arguments may be non-existent but the emotional weight attached to their call can’t be denied. And when one begins conflating their opinion with facts, it gets pretty to see where the my and your get separated from the the (truth).
In a world rife with injustice, it’s understandable that we sometimes turn a blind eye to minor hiccups or due process when it comes to getting results. How else are we to tackle the above-law antics of the Trump legions? How else are we to defend fundamental human rights when the odds are ever stacked in the favour of for-profit, billionaire conservatives? How else are we to be heard when all else around us is so loud?
Cancel Culture has become prominent in recent years for its maverick, f- due diligence approach to taking on those who would in (extreme cases) avoid legal penalty or in more trivial but common scenarios, go unpunished or challenged for the problematic viewpoints they espouse / funnel into the zeitgeist. It’s become popular because it’s effective, at least on an emotional and socio-political level. It helped topple the creeps in the #metoo movement and set some wrongs to right when it came to diversifying casting in Hollywood, demanding greater equality, and calling out BS journalism. One could argue it was a well-deserved slap-in-the face for the orthodoxy.
But in all this gesticulation and generalisation, where exactly am I heading, you might ask. Well, let’s face it. It’s not exactly an easy topic to delve headfirst into. Indeed, the previous two paragraphs are fodder for insulation, backtracking, and defence, as much as they are a prelude to what I’m about to criticise. For you see, such base, emotive reactionary attacks don’t always serve us well. They, often, lower the intellectual bar and nuanced appreciation for discourse we once cherished so dearly as part of a free-thinking society. They placate the once common-sense approach that all cases should be regarded individually and contribute zealously to the polarisation of political ideologies; you’re either with us or against this- none of this “on the other hand” schlep.
A case in point- Review Bombs.
What are Review Bombs? They’re basically attempts to undermine a work of art based on ideological speculation or information related to an associate partner of said art. For example, JK Rowling has recently received enormous backlash for her views surrounding gender theory and the place of women in society with legions of once-fans accusing her of transphobia and encouraging others with similar views, owing to her expansive Twitter following and influence in the media. This resulted in a swift bombardment of her latest novel, Troubled Blood (under pseudonym Robert Galbraith), even though no-one had had a chance to read the 900+ page tome, when it emerged from one review that the plot concerned a serial killer who dresses in women’s clothing.
It’s pretty easy to take sides when you have a predisposition. Especially in this scenario. When you read into it a little more, it gets complex and interesting, if depressing however. Is she transphobic? Possibly. Not in the robust sense of outright hatred but in the more coy (yet increasingly challenged) manner of trying to undermine LGBTQ progress by pushing far-less prevalent concerns surrounding the placehood of women if chromosomes don’t matter, etc. Some have expressed support for the trans community while pointing out she may have a point while others have pressed the importance of whole acceptance. In real life, they argue, trans people face incredible challenges the likes of JK Rowling cannot fathom. Why does she have to make things that much harder?
Most figures, faced with such controversy, have usually amended their positions with retractions or halfway-apologies. JK Rowling, seemingly, has buckled down on hers which has made the publication of this latest novel all the more controversial.
So when the novel’s general plot line was revealed, it was brought down by a series of 1-star reviews on GoodReads (alongside greater media coverage) with comments ranging from distaste for what the author had become to how they would never read this novel. When people then actually started to, the five-star reviews came abounding bringing the average up to 4/5, with some rebuking that previous assertions of transphobia were based on second-hand info and minor points, not central to the focus of the novel. Was she vindicated? In terms of commercial success, absolutely. It seems JK Rowling will go on. But even with the 5-star reviews, one has to wonder how many of those were written after a complete read of the novel (again, 900-pages long; these reviews came within a week) and how many of them were reactionary in the same way the 1-star ones were?
When it comes to Cancel Culture, a fine line is drawn between reasonable outrage and outright pettiness. In the case of JK Rowling, it seems both were there in measure, distorted by (let’s face it) an increased laziness in media coverage (mainstream too, not some poxy blogs like this) which sought to do anything but review the novel in its own merits.
And don’t take this as a defence of JK Rowling. At the very least, I find her concern with women’s issues vis-a-vis the trans community obsessive and tedious at this point. Having once made the point, herself, that you can’t have a reasonable discussion on Twitter, she should have then stopped proffering her points via Twitter. With that said, I tend to disassociate my love of movies/music/novels with the person behind them because frankly, a lot of the greats have been problematic and with generational changes in attitude, we’re only ever going to be disappointed by one thing or another if we dare to dig deep enough.
Review Bombing and Cancel Culture, however, is an issue worth tackling and it applies to conservatives as much as it does those easily agitated PC-liberals. For example, Captain Marvel was met with a slew of negative buzz before anyone had a chance to see it because women-starring role-traditionally men-change = bad. With increased diversity and promotion of minorities in these major budget movies, there was always going to be a push-back. It’s a recurring aspect in generational passing of torches but the review-bombing of this movie proved the other side, to appropriate their claims, had equally fragile egos.
The Last of Us 2 racked up its fair share of hatred this summer upon release for the PlayStation 4 as well. Taking the slow-burning, zombie-survivalism of the first game (from 2013), it should have been a hit. But they ruined it. By making the lead character gay and inserting a bunch of LGBTQ stuff into the mix. Typical Hollywood, right? Or whatever libtards got their hands on this… Actually, I thought it was a very entertaining sequel and fun game but as with many things now, the actual entertainment value doesn’t matter as much. It’s all about subtext.
That’s why Star Wars: The Last Jedi is bad- because it promotes a different world viewpoint to what we had grown accustomed to when really, it’s actually bad because they disregarded the tone of the previous movie and f-d up the trilogy.
Anyways… It’s a new way of being heard; online assault. And it’s a petty, oft-misdirected means of making your point, whether that point is valid or not. So as much as we should oppose discrimination, perhaps reviewing a book we haven’t even read isn’t the way to do it. If you think Hollywood and associated media are inserting too much liberal ideology into your favourite franchises, then stop watching and don’t ruin it for others (as some did by leaking the plot of The Last of Us 2). Acting this way doesn’t gain you kudos or respect and it doesn’t even have the desired effect most the time. Last of Us 2 still sold impressively, Captain Marvel grossed over a billion, and Troubled Blood recently topped the charts. Congratulations review-bombers. You saved marketing a bucket load of money!
A couple years ago, in a debate on political correctness, the author, comedian, actor, etc. Stephen Fry remarked that one of the great failings of our time is when people prefer to be “correct rather than effective”. This self-righteousness has increasingly frayed political and social-political discourse. If we can’t even offer each other a presumptive measure of respect, can we really go on saying, “if only we had politicians as good as our people?”
There are nearly 20 declared Democratic candidates for next year’s election and yet one key figure remains aloof and undecided. Yes, hanging out there, somewhere in the horizon with a winning smile but a shadow cast in a question mark is none other than Joe Biden. You know him best as Obama’s other half but he’s also served in the past as a Senator for 36 years with a host of positions including Chair of the Senate Foreign Relations Committee and Chair of the Senate Judiciary Committee. He’s got the best experience of any of these Democratic hopefuls, charisma, and something most politicians lack; a genuine personality. So why not declare? Well, let’s get straight to the first and most pertinent stumbling block and fair warning, it’s a touchy subject…. okay, sorry.
Joe Biden’s been caught in a whirlwind of controversy this last week over a number of women claiming his “personal touch” to be a little invasive and inappropriate. This is by no means an explosive or recent discovery. In the past, many commentators and comedians like Jon Stewart have squirmed at Biden’s holding of shoulders, heads, and hugs for prolonged periods. It’s never been described as sexual harassment as such but rather just uncomfortable and strange. In the context of the #metoo era, perceptions have of course shifted however and Biden is now being asked to account for these instances.
In a statement last Wednesday, he explained that any handshakes or hugs were always given as marks of “affection, support, and comfort”. He said he was not sorry for his “intentions” but acknowledged that “social norms are changing” while promising to be “more mindful” in the future. On Friday however, at the International Brotherhood of Electrical Workers Construction Conference, after hugging the IBEW president, he joked that “he had permission” and then later made the same joke when others joined him on stage. (A bit sloppy, yes.) Well naturally, some people took this in jest and others with more affront, such as Tarana Burke (founder of #metoo movement) who said the jokes were “disrespectful and inexcusable” and that it was not enough for him to be “mindful,” he needed to make an effort to apologize properly.
Is this an overreaction? Part of me wants to say yes and defend Biden outright. After all, sensationalism in today’s media is driven by headlines rather than analysis. Most people who catch a whiff of these headlines, I hope, would delve deeper and read a bit into it. But words like “allegations,” “accusations”, and so forth have such a weight to them now that I fear Biden will be dragged into the company of far worse offenders. He certainly did himself no favors with his jokes but he did, at least, respond and yes, I do think “intentions” matter. I don’t think most people honestly consider this man to be a true creep like say, the President of the United States.
Biden’s of a different generation and age; a fact some commentators don’t think matters given the gravitas of this cultural change we’re experiencing but context is always crucial. Our backgrounds shape us, for better or worse. Biden, has suffered the loss of a wife, a daughter, and son in his tragic past and often made a connection with people in hard times through words or hugs. Most politicians do this, albeit to lesser extents. He’s 76 as well so his customs and mannerisms may be off tilt with younger generations.
That’s all just pause for thought, more than anything though. Before we #cancel Biden, we need to examine what value is to be attained in judging people’s morals and conduct retrospectively. If it’s for the cause of attaining a better 2020 candidate for the Democrats, then maybe there is something there. After all, the party has become more liberal and with so many alternatives on board, why should we accept the obvious choice like so many did with Hillary in 2016? There’s a few reasons:
Some of these candidates suck, are disingenuous, and do nothing but pander to the liberal waves like Kirsten Gillibrand
The aforementioned level of experience
He has the highest polling
He can appeal to moderates who might otherwise side with Trump
He’s charismatic and likable; marketable too
Association with Obama
There’s definitely reasonable debate on whether or not he should run. I would agree with Ross Douhat (New York Times) that, if he does, he should run on his record rather than against it. Any sharp left-wing moves will be preyed upon by the media, his fellow candidates, and online trolls and then mocked by Trump. There is a section of Trump’s base to be swayed too who actually do care about labor unions, health care, and other important issues, which Biden can speak to with precision as others might vaguely address. Plus, if nothing else, it’ll at least give Democratic voters some alternative to the growing liberalism represented by candidates like Booker, Sanders, Warren, and O’Rourke. Then, they can’t whine come November 2020.
Biden has always been “awkward”, prone to gaffes, and toneless remarks (e.g. wishing he “could” have done something about the Anita Hill sexual harassment trial in the early 90s, despite then being chair of the Judiciary Committee.) His record is not squeaky clean. He’s even run twice before and failed. In the Democratic Party’s quest for greater wokeness however, it can’t be worthwhile to decry and discard every ally who’s ever done wrong. When the bar is set this high, the likelihood for success becomes increasingly narrow and the bigger picture gets lost. The Republicans understand this much, if anything. I also don’t want to see Trump re-elected because his opponents couldn’t find their Messiah.
Recently, an old Playboy interview with John Wayne from nearly 50 years ago was rediscovered which revealed some horrendous beliefs he held about race relations, white supremacy being a good thing, and homosexuality. This sparked outrage with the usual suspects who a) don’t contextualize anything and b) know nothing about John Wayne. Now, let me preface this with the painfully obvious but excruciatingly important detail that I am, by no means, defending John Wayne or what he said. In fact, I’d even go so far as to posit that his opinions were particularly racist for a racist white guy in the early 1970s. They were vile, stupid, and yes, offensive but- they were not made by someone alive or of our generation or even the two before it.
If you have ever watched a single one of Wayne’s movies, you simply wouldn’t figure him for some kind of liberal. You might even, to take a very minuscule leap, gather that he was of a very old, patriarchal, white-bred kind of background. That doesn’t make what he said okay but to be shocked or outraged by someone’s words, I would at least attest that you’d have to have thought of them in some other kind of context. Basically, it’s not that surprising to learn an old white star, who was by then in his 60s, held some bigoted beliefs. And it doesn’t make much sense (and this is the fundamental point) to make a career of sifting through an old star’s interviews from decades ago with a modern lens of morality. Years from now we will undoubtedly be judged for what we did, yes, but for the likes of Wayne, we should probably still be able to enjoy his output while acknowledging that he wasn’t exactly a symbol of tolerance.
Part Two- The Rise of Cancel Culture
The modern trend of social justice, in the forms of #metoo, political correctness, and cancel culture has risen and taken storm as a result of frustrations built upon years of a lack accountability on the part of powerful figures. The courts can be slow to deliver proper punishments, if any, in even the most high profile cases. Political systems have been infected with a slew of problems, so cumbersome that they’ve become almost insurmountable. And even shows like The Big Bang Theory continue to thrive despite the fact that they are clearly dreadful. In such times, the mantle of social media can appear attractive. It has given a voice to the voiceless. It has helped promote awareness of issues we never would have thought of. It even gets you quick customer service where all other avenues fail. It’s also dangerous however.
The problem with social media is not so much that it can present biased, clickbait visions or news pieces, without much resistance, but that it’s populated with the worst kind of people you could ever listen to. Any given day on Facebook, I can scroll through my newsfeed, and find a barrage of comments on an article that has obviously not been read in full or countered. Too many people don’t want to have their viewpoints challenged so they cling to familiar publications or channels (like liberals for the Huffington Post and conservatives for Breitbart) and ignore that which falls between, taking in sensationalist headlines which eventually build up a picture of someone or some idea without much shade or nuance.
I don’t want to get into bi-partisanship however. I’ve impressed the above point only to account for the lack of accountability people afford themselves when they interact with others on Twitter, Facebook, etc. They react instinctively and without good measure when allegations arise, which brings us back the way of cancel culture. Let’s take the not-so-comfortable example of notorious racist Liam Neeson. The thing about Neeson is he’s not our classic idea a notorious racist. Some say he’s just another human being who admitted to a detestable moment in his life, when he sought vengeance for a friend of his who had been raped, by roaming the streets and looking for a “black bastard to kill.”
Let’s unpack this slowly and carefully. First of all, it was racist and horrible and I don’t think anyone can expect any black person to take this account without offense or anxiety. After all, this is the kind of hate many have had to deal with their whole lives, resulting in unwarranted arrests of murders. Neeson’s story, however, was not happened upon by some journalist. He told it himself, as a way of admitting his own guilt, clearing his conscience perhaps, and illustrating the the deep-rootedness of bigotry in society. He felt shame, yes, but he also said he could’ve killed someone. So, do we #cancel him or at least, evaluate the details of his story first?- because it if both a typical and untypical example of prejudice influencing a person’s mindset.
Putting aside whatever conclusions you may come to, the problem for me with this story, was how it got reported and discussed by the majority of people in social and regular media. For one, many seemingly missed the point where Neeson asked for the details of his friend’s attacker (height, hair, etc.) as well as the details of the story as a whole, and focused immediately on the headlines. For another, people called him an “idiot” for simply bringing the story up which granted was stupid, given he was promoting a movie. If we can’t discuss difficult topics like this however with some grace, how can we begin to actually solve them?
Part Three- Art and Morality
Woven into the tapestry of this debate on cancel culture is the thread of modern morality and “wokeness”. Can we separate art from the artist or do we need to stop making excuses for facilitating the careers of harmful individuals like R. Kelly?
Undoubtedly, a few good things have arisen in this current climate of social justice. The #metoo movement, for instance, finally got a great many people to pay attention to the rampant culture of sexual harassment dominating work spaces. It impressed upon men, in particular, that if you behaved a certain way, you would be held to account (not that it’s been wholly effective or noticed everywhere). We’ve come to appreciate that racism is systematic beyond the plain and obvious insults and attacks of past generations. We tolerate less so that more are accepted. We’ve also come to confront an issue that never seemed like much of an issue too; toxic fandom.
In a sense it’s easy enough to cancel a celebrity like Neeson or Kevin Spacey by refusing to entertain any more of their work. With someone like R. Kelly, it’s tougher because he had a large fan base and produced many hits, for himself and an array of other artists. A radio station can withdraw “Ignition” from the airwaves but they can’t exactly strip it of its appeal. And what about Michael Jackson then? The controversial Leaving Neverland documentary, which aired in our parts last week, saw two fresh allegations presented over the course of four hours against the late King of Pop. Are people really going to forget or condemn songs like “Billie Jean”? Some radio stations have already begun to stop playing these, on the basis of this wound being “too fresh”. Many of his fans however, on the opposite end of this spectrum, are flat out denying the validity of these allegations. Their concerns aren’t without logic but as documentary favorite Louis Theroux has pointed out, they can act “willfully blind” in the name of their hero.
That’s where we come to the idea of toxic fandom as a tide fighting against #cancel culture. It’s a lot easier to stand by an artist like Michael Jackson who’s greatly influenced you than it is to accept the allegations leveled against him. It’s almost too much to bear for people who want everything about this icon to be pure and unquestionable. In this sense, perhaps the trend of social justice is doing us a necessary, if painful service, like ripping a bandage off. We need to learn to accept our favorite stars might not be as great in their personal lives as they are in their art which has been true throughout the course of history.
Balance will be the key to all of this and it will take some time but I don’t think it’s necessary to discard the works of these fallen giants. After all, MJ opened a lot of doors for black artists in the industry. That can’t be taken away from him, just as Cosby’s influence on comedy can’t be eradicated. The fans don’t need to feel guilty for enjoying these people’s work but they should accept that deification of such figures gives way to a toxic and irresponsible culture, where abuse of power rests comfortably and heartache inevitably follows. In extreme cases such as theirs, we cannot turn a blind eye to their conduct (alleged or proven) but we should also not shackle ourselves to the notion that every celebrity, politician, or Twitter provocateur deserves to be cancelled and erased from history. Nuance is key, redemption is possible, and forgiveness is not at all a weak act.
On Tuesday, American voters have the chance to re-frame much of their governmental structure and the issues at play over the next two years. Not only are all House seats and 1/3 Senate seats up for grabs, so are a number of Governorships and Attorney General positions. Historically, voter turnout for midterms have been lower than years when the presidency is up. This year however, early voting seems to indicate a promising shift for the otherwise complacent Democratic party, who’ve seen devastating losses since 2010. Is this purely reactionary to the Trump agenda or have liberals finally learned what it takes to set the tone for a nation so entrenched in right-wing dogma? It’s seemingly both (as you’d imagine) but the issues aren’t all that’s at play.
Let’s take a trip back down memory lane to two years ago when Trump defied the odds and became the 45th US President. Liberals were so beside themselves in trying to explain just what had happened. Was their progressive vision now irrelevant? Had bigotry eclipsed their hopes for further equality and subsumed any focus of their issues? Was all lost? Well, it’s not that simple but they had lost bad. After all, Republicans had taken both houses of Congress as well as the Oval Office. So, as Crooked Hillary’s book asked, what happened? Here’s a few thoughts, not expressed in that book:
The Democrats lost focus on the important issues: Really, most Americans need proper health care, are for sensible gun control, and could do with a decent minimum wage hike. As Bernie Sanders would say though (arms flopping about), these are the issues that are never covered by the mainstream media. But also by some liberals. They take the bait too often and lose themselves in the maelstrom of Trump’s tweets and the latest non-controversies, defined by-
Political Correctness. Sigh. We’ve covered this topic, maybe exhaustively, but let’s be clear about this; it’s not that political correctness is in itself bad but it alienates liberals from many potential voters by painting a picture of piety and self-righteousness wildly at odds with most Americans’ mindsets. Most people don’t want to associate themselves with the buzz-killingtons of the world and the liberals SJWs are just that.
Identity politics too, for all its value in assessing demographics, should not be religiously standardized to the point that blacks, women’s, gays, and white males get defined by atypical subsets of values. When statements like Hillary’s about Trump’s inaugural address being a “cry from the white nationalist gut” are made, it does very little for reaching out to Trump voters. And liberals should be reaching out. There’s no real reason you have to separate these groups of voters when so many of their concerns are shared in actual issues; job protection, health care, social security, etc.
The Democrats have lost vision for their party too. To be fair, it’s gotten more progressive recently but in 2016, there seemed to be two threads being pulled between that side (on behalf of the likes of Sanders and Elizabeth Warren) and the more centrist wave that’s dominated since the 90s. The party needs to consolidate its core principles and its base because for all the terrible ideas the GOP espouse, they do so together. Unlike the Democrats, they’re confident, strong, and on-point.
In many ways, this is a call for the Democratic Party to react to previous losses by moving further to the left, so long as they do so on the issues. It’s no use criticizing and labeling all of Trump’s supporters when in reality, their concerns aren’t so different from liberals’. Trump is a unique phenomenon and his presence is undoubtedly felt in these midterm elections but he’s also best understood as a symptom of a sickness that’s taken hold in American politics; extreme bipartisanship.
As above, I’ve argued that identity politics is limiting to our understanding of how Democrats will vote on Tuesday but that doesn’t mean key issues, primarily affecting womens or blacks won’t play a role. For instance, I think it’s fair to say there’ll be some backlash to the nomination of Brett Kavanaugh. In the era of #metoo as well, there’ll likely be a thirst for progressives and indeed, it is a record year for women running for office (but again, complacency is a great weakness- just ask the last year of women, 1992.) In this respect, individual issues are taking a backseat to greater visions for a new liberal base. If the Democrats lose badly, the party may very well resume its default centrist position but it feels like it’s beginning to get the fire in its gut again.
On Tuesday, the Oscar nominations will be revealed and a maelstrom of ill-informed opinions will flood social media, ranging from whether the #metoo movement is appropriately being represented to what degree of whiteness this year’s festivities have lauded upon us. Of course, most of these people will not have seen the majority of these movies because a) most of them have only seen limited releases in America and b) people don’t seem to think before they enter the foray of the comments section (no doubt, a golden idea for Aaron Sorkin’s next outing.)
But hold on- this is the Washington Walrus- so why are we talking about the Oscars? Well, we thought with the Government Shutdown, it’d be a nice opportunity to delve into something a little different. Besides that, Hollywood’s been the focus of a lot of controversy lately thanks to the likes of Harvey Weinstein (well, not thanks… but you know what I mean.) So, sit back and relax with a few thoughts on what’s been going on lately:
Is Oprah Gonna Be There?
Maybe but people need to stop being stupid and suggesting she run for higher office. I mean, she’s a good interviewer (if a bit emotionally exploitative) and that was a nice speech at the Globes but just because Trump’s lowered the bar so far, doesn’t mean we should resort to castigating intellectual political leaders and rallying around celebrity icons (albeit successful and smart ones). This kind of playful discourse might seem harmless but it’s what led to Trump getting much further than he ever should have. If we accept his leadership as a new level of normalcy, then we are in deep trouble.
Do Female Roles Suck Compared to Males’?
Kind of. Jessica Chastain recently demonstrated with the help of an ever-giddy Jimmy Fallon the difference often found between male and female roles in movies. It’s a fair observation, especially for blockbuster franchises where women are often relegated to the role of eye-candy love interest, worrying mother, or deceptively kickass but otherwise entirely boring allies. To address this latter part in particular’ a “strong” female role should not necessarily mean that the female character is wholly competent or even treated as an equal (depending on cultural and historical context) but rather, that they are simply three-dimensional and complicated beyond what their primary role is supposed to be.
Take Sansa Stark from Game of Thrones for example- at first, she’s the annoying, princess aspiring elder sister of the much cooler Arya Stark. Then, for a few seasons, she’s treated like shit and learns to accept her role in an aggressively patriarchal and chauvinistic society. Then, she begins to understand the dynamics of these politics and drags herself away from an awful position to a point of both political and emotional influence. On the surface, it’d appear that she’s a useless, albeit sympathetic figure. But within this role, despite the frustrations she encounters at every turn, there’s depth there and an opportunity to explore a range of emotions. That’s a well written character.
How about Sarah Connors from Terminator. She’s initially unremarkable but soon toughens up and becomes a resilient rebel in the war against Cybernet. Is she perfect? No– she’s temperamental and not exactly the best mom. That’s good though, no character should be perfect- in movies, that’s almost just as bad as being useless.
So of course, the bigger, better, and meatier roles are still being given to men (just look at most theatrical posters) and this may be an issue with the fact that some male writers are just not that great at writing female parts because women can sometimes be confusing to us. An effort needs to be made to change this however, because variety is simply invaluable for the creative process. It’s good that there’s a female Jedi now. It’s good that there are female-led franchises (like the Hunger Games.) It diversifies the medium, draws in a larger audience, and inspires women. With that said, Hollywood figures and producers must also recognize that these movies must be treated with tact; a lazy idea with an agenda can be spotted pretty easily… Female Ghostbusters…
Is The #metoo Movement A Witch Hunt?
Liam Neeson recently caught a lot of flack for an interview he did in which he acknowledged the importance of this watershed movement, whilst asserting that it was a ‘bit of a witch hunt’. Matt Damon, faced similar criticism, when he pointed out the undistinguished degree to which each figure faced with allegations was being reprimanded. Many people are outraged because they feel the legitimacy of this movement could easily be undermined by the questioning of its execution by those, who for all practical purposes, exert influence in this industry. This is understandable. There are also a lot of emotions out there. Women can relate to harassment on a level men just can’t. Plus, it’s long overdue.
It’s a difficult topic to broach and there are not a lot of popular, alternative ways of thinking outside the central narrative. With that said, if people are not willing to admit an element of paranoia inhabits this discourse, they should be willing to debate the intricacies of it. That’s what people do in a democracy, no matter how ugly or offensive the arguments mustered against them are.
Recently, James Franco and Azis Ansari have come under fire. Both Globe winners, their immediate careers now hang tenuously over the statements made by them and others in the coming couple of weeks (although Ansari seems relatively in the clear). Franco’s case is the more interesting one as he was until recently, for many, a surefire nominee for an Oscar. That could very well still be the case but given the toxic environment that it would create as well as what appears to be a call-out from Scarlett Johannson at the Women’s March, it seems ever more unlikely. Has his treatment been fair? Well, due process doesn’t seem to exist anymore for the collective public (even though this is not a legal case) but his responses have, at best, been tepid. If someone’s making false allegations against you, why not respond to them appropriately and call them out for what they are-lies. Clearly, he’s uneasy about something or at least giving that impression, at the worst point possible, to the public.
Again, because this movement has been long overdue, there is an element of bullshit fatigue for women. In the past, many figures have been afforded enough wiggle room to overcome their controversies and continue working. For example, Casey Affleck won an Oscar last year, despite mass protestations online and one of the most memorable facial expressions ever delivered by Brie Larson.
So what is the solution? To simply label it a “Witch Hunt” is to many, a way of undermining and thus, delegitimizing the movement. However, without some due process and recognition that the likes of Weinstein and Franco are not equal offenders, what can be said about the credibility of this cause? Clearly, we have no answer to offer but question marks are often just as good because they keep people thinking and thinking is never a bad thing (comment exceptions below).
So Should I Watch The Oscars? Is It Gonna Be Relentlessly Political?
I will- or rather, I will record and skim through it because it’s far too long and certain categories are boring (you know the ones).
It will be relentlessly political however. If you thought last year’s apology for 2016’s #oscarssowhite was encroaching (and it was), then prepare yourself for a a female win in every category (including Best Male.) Nah… but there will be speeches addressing all that’s gone on lately (as well as Trump) and there will be some half-assed attempt to draw parallels between today and what’s going on in Spielberg’s The Post. (Did you know when you were making it???)
Still, for the most part, I’ve always felt good movies were rewarded at the Oscars that otherwise might not have seen the light of day in a Box-Office driven market. They don’t always award the Best Picture category wisely (Goodfellas lost out in 1991 to Dances with Wolves). They don’t always go smoothly (last year’s La La Land kerfuffle). Most the speeches are pathetically cringeworthy (literally just type “Oscars Acceptance Speech” into Youtube.) But… the opening monologue is usually good and the forced grace by which the losers conduct themselves is something else…
So that’s all! Any thoughts yourself? Will Meryl Streep blast Trump? Will the statue now be of a woman’s figure? Who will win?
It might seem like folly to try and summarize the events of a whole year in a single article, or even to surmise the prevalent themes which distinguished it. Nevertheless, we’re going to attempt to do just that because something needs to be gained from all this mayhem. (It’s also been awhile since we published anything.) So here’s a few thoughts:
Was it the residual hangover of 2016?
Yes, 2017 can in many ways be regarded as the dark sequel to its predecessor. This is the case with most inaugural years but of course, this year we had the Donald, whose presidency quickly bolstered sales of Orwell’s 1984. Everything we feared he might do came to fruition, although legislatively he was not successful. Rather he inspired fresh bouts of fear not felt since the early 1960s, from the Muslim Ban to unnecessary tensions with North Korea and everything in between. However, this is just the beginning of the hangover and it will not dissipate till at least late 2018, should the Democrats get their act together.
Was the “#metoo” movement a breakthrough?
At the Golden Globes next week, we will see many actresses dressed in black, in a sign of solidarity. Although, sexual harassment scandals can hardly be limited to Hollywood, the cases here have drawn so much attention because of the prolific figures involved (not to justify it.) They’ve also inspired a deep and intellectual, if highly sensitized debate, across the world. Can we merely dismiss the actions of men from another generation as of their time and thus tolerable? Can we separate their art from their character? Do we need to ensure perspective with relation to whats worse (from groping to raping) more readily? Can this then be seen as an attempt to undermine change by bracketing off areas, if less heinous, as forgivable?
There’s still much to suss out and I do not enter this foray lightly, for the level of media scrutiny and social media backlash can be detrimental even to those who have not themselves done anything wrong but who, in others’ opinions, miss the point and thereby contribute to the normalization of harassment (e.g. Matt Damon.) It seems to me, nonetheless, that this has overall been a watershed moment of positive change; one which must not be limited to being labelled as a 2017 talking point or more likely, a Hollywood scandal. In the coming years, it’ll thus be important to find balance between sensible, if insensitive opinions and a zero-tolerance approach.
Is “Fake News” just a thing now?
Has the word “lies” lost sustenance? The idea of “Fake News” grew during the 2016 election and was dismissed by most as a “stupid”. Unfortunately, like most Trump labels, it stuck and with it, an array of other baffling terms like “Alternative Facts”.
Yes, the media has been known to sensationalize the wrong things and some papers are more reputable than others but with Trump, fiction’s become redundant. You merely need to collect his quotes these days to form an article. It may be a coherent, slobbering mess but so is every Trump speech. So, in 2018, let’s stop paying into the idea of “Fake News” because you can’t hide the video footage of Sean Spicer hiding in the Rose Garden bushes, inauguration crowd sizes, or the words Trump spoke mere weeks ago. It’s out there, in the open.
Are people ready to accept the Left again?
Roy Moore was inexcusably awful but still, a Democratic Senator from Alabama is not something you hear about every day. Grouped with the #metoo movement (not exactly political, though women’s rights are generally sided with the Left), Trump’s low approval ratings, Obama topping Gallup’s most admired man poll, the Women’s March on Washington, and more however, it begins to paint a picture. In November 2018, we’ll of course see with the Mid-Terms but this time, we’ll need a United Left. Even though, we’re discussing 2017, the lesson of 2016 must not be forgotten.
Was The Last Jedi disappointing? (SPOILERS)
Yes, this is a political blog but we also love Star Wars. So did Rian Johnson deliver the goods? Ultimately yes- it was a beautiful and unusually thematic entry in the franchise. But come on! Is Snoke really just some nobody leader, dispensable to a larger purpose? He looks like a disfigured Goldmember, had a super cool throne room and guards, and obviously influenced Kylo Ren somehow. So, tell us who the Phantom Menace he is! And I don’t want to figure this out through some extended universe graphic novel bullshit or another needless stand-alone movie. He’s relevant to this trilogy! I also don’t care that we didn’t know who the Emperor was in the originals- his origin wasn’t important at that point and since Episode VII, we’ve been baited with questions. Rectify this please, J.J. Abrams. Otherwise, I enjoyed it a lot. Anyways, that’ all- have a happy new year!