It might seem like folly to try and summarize the events of a whole year in a single article, or even to surmise the prevalent themes which distinguished it. Nevertheless, we’re going to attempt to do just that because something needs to be gained from all this mayhem. (It’s also been awhile since we published anything.) So here’s a few thoughts:

Was it the residual hangover of 2016?

Yes, 2017 can in many ways be regarded as the dark sequel to its predecessor. This is the case with most inaugural years but of course, this year we had the Donald, whose presidency quickly bolstered sales of Orwell’s 1984. Everything we feared he might do came to fruition, although legislatively he was not successful. Rather he inspired fresh bouts of fear not felt since the early 1960s, from the Muslim Ban to unnecessary tensions with North Korea and everything in between. However, this is just the beginning of the hangover and it will not dissipate till at least late 2018, should the Democrats get their act together.

Was the “#metoo” movement a breakthrough?

At the Golden Globes next week, we will see many actresses dressed in black, in a sign of solidarity. Although, sexual harassment scandals can hardly be limited to Hollywood, the cases here have drawn so much attention because of the prolific figures involved (not to justify it.) They’ve also inspired a deep and intellectual, if highly sensitized debate, across the world. Can we merely dismiss the actions of men from another generation as of their time and thus tolerable? Can we separate their art from their character? Do we need to ensure perspective with relation to whats worse (from groping to raping) more readily? Can this then be seen as an attempt to undermine change by bracketing off areas, if less heinous, as forgivable?

There’s still much to suss out and I do not enter this foray lightly, for the level of media scrutiny and social media backlash can be detrimental even to those who have not themselves done anything wrong but who, in others’ opinions, miss the point and thereby contribute to the normalization of harassment (e.g. Matt Damon.) It seems to me, nonetheless, that this has overall been a watershed moment of positive change; one which must not be limited to being labelled as a 2017 talking point or more likely, a Hollywood scandal. In the coming years, it’ll thus be important to find balance between sensible, if insensitive opinions and a zero-tolerance approach.

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Between the backlash to his remarks on the #metoo movement and his movie, The Great Wall, Matt Damon had a meh year.

Is “Fake News” just a thing now?

Has the word “lies” lost sustenance? The idea of “Fake News” grew during the 2016 election and was dismissed by most as a “stupid”. Unfortunately, like most Trump labels, it stuck and with it, an array of other baffling terms like “Alternative Facts”.

Yes, the media has been known to sensationalize the wrong things and some papers are more reputable than others but with Trump, fiction’s become redundant. You merely need to collect his quotes these days to form an article. It may be a coherent, slobbering mess but so is every Trump speech. So, in 2018, let’s stop paying into the idea of “Fake News” because you can’t hide the video footage of Sean Spicer hiding in the Rose Garden bushes, inauguration crowd sizes, or the words Trump spoke mere weeks ago. It’s out there, in the open.

Are people ready to accept the Left again?

Roy Moore was inexcusably awful but still, a Democratic Senator from Alabama is not something you hear about every day. Grouped with the #metoo movement (not exactly political, though women’s rights are generally sided with the Left), Trump’s low approval ratings, Obama topping Gallup’s most admired man poll, the Women’s March on Washington, and more however, it begins to paint a picture. In November 2018, we’ll of course see with the Mid-Terms but this time, we’ll need a United Left. Even though, we’re discussing 2017, the lesson of 2016 must not be forgotten.

Was The Last Jedi disappointing? (SPOILERS)

Yes, this is a political blog but we also love Star Wars. So did Rian Johnson deliver the goods? Ultimately yes- it was a beautiful and unusually thematic entry in the franchise. But come on! Is Snoke really just some nobody leader, dispensable to a larger purpose? He looks like a disfigured Goldmember, had a super cool throne room and guards, and obviously influenced Kylo Ren somehow. So, tell us who the Phantom Menace he is! And I don’t want to figure this out through some extended universe graphic novel bullshit or another needless stand-alone movie. He’s relevant to this trilogy! I also don’t care that we didn’t know who the Emperor was in the originals- his origin wasn’t important at that point and since Episode VII, we’ve been baited with questions. Rectify this please, J.J. Abrams. Otherwise, I enjoyed it a lot. Anyways, that’ all- have a happy new year!

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